Articles
“Black Mothers and Black Boats: Queer, Indigenous, and Afro-Brazilian Intersections in Ney Matogrosso’s ‘Mãe Preta (Barco Negro).’” Journal of Lusophone Studies 4.1 (2019): pp. 208-229.
“Unbearable Fadistas: António Variações and Fado as Queer Praxis.” Journal of Lusophone Studies 3.1 (2018): pp. 124-147.
Articles In Press – forthcoming
“Parvo, Pequenino, e Sem Maneiras: The Self-Deprecating Vernacular of Portuguese Sonic Dissent,” Portuguese Literary and Cultural Studies (Fall 2026).
“Our Lady of Lusophony: Madonna’s Madame X Fadista,” Luso-Brazilian Review 63, 2 (Winter 2026; accepted contingent on minor revisions).
Chapter In Press – forthcoming
“Resonant Lemonade: Black Queer Diaspora in Linn Da Quebrada’s Pajubá,” in Reclaiming Black Brazil: Literature, Culture, and the Politics of Diaspora. Edited by Cristina Pinto-Bailey and Paulo Dutra. Amherst College Press (April 2027).
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Public Media
“Anitta and Latinx Cultures [In Portuguese].” NJ.com, September 16, 2022.
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Book Reviews
Amália at the Olympia by Lila Ellen Gray, International Journal of Iberian Studies 38, 3 (2025): pp. 315-316.
“On ‘A History of Portuguese Fado’ by Rui Vieira Nery and Translator David Cranmer.” Portuguese Literary and Cultural Studies, 36/37 (2022): pp. 331-334.
Machine Gun Voices: Favela and Utopia in Brazilian Gangster Funk by Paul Sneed. Co-author Thomas Stephens. Hispania, 103.4 (2020): pp. 630-632.
Violence and Gender in Africa’s Iberian Colonies: Feminizing the Portuguese and Spanish Empire, 1950s-1970s by Andreas Stucki. Journal of Lusophone Studies 5, 1 (2020): pp. 270-272.
Brazilian Propaganda: Legitimizing an Authoritarian Regime by Nina Schneider. Journal of Lusophone Studies 1.1 (2016): pp. 197-199.
Daniel da Silva, Ph.D. 